William Nelson Copley, ‘St. Germain Des Pres’, 1960, Sotheby's

Signature: signed and dated 60

Milan, Galleria d'Arte del Naviglio; Venice, Galleria d'Arte del Cavallino, William N. Copley, June - July 1960

Exh. Cat., Venice, Peggy Guggenheim Collection, Lucio Fontana: Venezia/New York, p. 26, illustrated in color

Private Collection, Italy
Private Collection, Europe

About William Nelson Copley

Forging an unprecedented and unlikely link between the European Surrealist and American Pop Art movements, William N. Copley painted sweetly humorous, softly pornographic vignettes. His works are Surrealist in their unbridled expressions of sexual desire—he painted couples making love, men and women fantasizing about each other, figures in various states of undress and stages of foreplay. Through his use of bright colors, cartoonish figures, and wildly patterned backgrounds, Copley tempered his sometimes-X-rated imagery with a visual language similar to that of Pop Art. While his imagery is mined from a variety of sources, including racy magazines he would buy from the seedy shops that used to dominate New York’s Times Square, Copley’s work is whimsical, joyful, and lyrical. As he claims: “Humor, after all, is the reminder that we are mortal.” As his paintings suggest, so, apparently, is sex.

American, 1919-1996, New York, New York