William Nelson Copley, ‘Trust Me, When, No’, 1963, Phillips

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Signature: signed and dated 'cply '63' lower right

Cologne, Galerie Neuendorf; Berlin, Galerie Springer, William Copley, 22 May -­ 1 October 1970
Amsterdam, SHOWROOM by Paul van Esch & Partners Art Advisory, William N. Copley. Paintings from 1960 - 1994, 10 September - 31­ October 2015

Private Collection, The Netherlands

About William Nelson Copley

Forging an unprecedented and unlikely link between the European Surrealist and American Pop Art movements, William N. Copley painted sweetly humorous, softly pornographic vignettes. His works are Surrealist in their unbridled expressions of sexual desire—he painted couples making love, men and women fantasizing about each other, figures in various states of undress and stages of foreplay. Through his use of bright colors, cartoonish figures, and wildly patterned backgrounds, Copley tempered his sometimes-X-rated imagery with a visual language similar to that of Pop Art. While his imagery is mined from a variety of sources, including racy magazines he would buy from the seedy shops that used to dominate New York’s Times Square, Copley’s work is whimsical, joyful, and lyrical. As he claims: “Humor, after all, is the reminder that we are mortal.” As his paintings suggest, so, apparently, is sex.

American, 1919-1996, New York, New York