Winslow Homer, ‘Deer-Stalking in the Adirondacks in Winter’, 1871, Cooper Hewitt, Smithsonian Design Museum
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Winslow Homer

Deer-Stalking in the Adirondacks in Winter, 1871

Wood engraving on off-white wove paper
374 × 268 in
950 × 680.7 cm
Permanent collection
About the work
Medium
Print
Image rights
Image provided by the Smithsonian Cooper-Hewitt, National Design Museum
Winslow Homer
American, 1836–1910
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Winslow Homer is one of the best known painters of American scenes of outdoor life. After an apprenticeship in lithography, Homer began his career as an illustrator for Harper's, drawing scenes of the Civil War battlefront. After the war, he traveled to Europe and then spent the summer of 1873 in Gloucester, Massachusetts, where he began to work in watercolor—what would eventually became his primary medium. Homer's outdoor genre scenes painted a varied picture of Americana, from scenes of wilderness guides, to rural African American life in the post-Civil War era, to children at play. In 1881, he spent almost two years on the English coast depicting simple scenes of the local communities. As his career evolved, Homer turned more and more to the sea, and a move to a secluded spot in coastal Maine prompted the eternal struggle between man and nature to become a prominent theme in his work.

Winslow Homer, ‘Deer-Stalking in the Adirondacks in Winter’, 1871, Cooper Hewitt, Smithsonian Design Museum
Save
Save
View
View in room
Share
Share
About the work
Medium
Print
Image rights
Image provided by the Smithsonian Cooper-Hewitt, National Design Museum
Winslow Homer
American, 1836–1910
Follow

Winslow Homer is one of the best known painters of American scenes of outdoor life. After an apprenticeship in lithography, Homer began his career as an illustrator for Harper's, drawing scenes of the Civil War battlefront. After the war, he traveled to Europe and then spent the summer of 1873 in Gloucester, Massachusetts, where he began to work in watercolor—what would eventually became his primary medium. Homer's outdoor genre scenes painted a varied picture of Americana, from scenes of wilderness guides, to rural African American life in the post-Civil War era, to children at play. In 1881, he spent almost two years on the English coast depicting simple scenes of the local communities. As his career evolved, Homer turned more and more to the sea, and a move to a secluded spot in coastal Maine prompted the eternal struggle between man and nature to become a prominent theme in his work.

Winslow Homer

Deer-Stalking in the Adirondacks in Winter, 1871

Wood engraving on off-white wove paper
374 × 268 in
950 × 680.7 cm
Permanent collection
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War and Military
Rural Life