Winslow Homer, ‘The Cotton Pickers’, 1876, Los Angeles County Museum of Art

In the collection of American Art at LACMA.

Acquisition made possible through Museum Trustees: Robert O. Anderson, R. Stanton Avery, B. Gerald Cantor, Edward W. Carter, Justin Dart, Charles E. Ducommun, Camilla Chandler Frost, Julian Ganz, Jr., Dr. Armand Hammer, Harry Lenart, Dr. Franklin D. Murphy, Mrs. Joan Palevsky, Richard E. Sherwood, Maynard J. Toll, and Hal B. Wallis (M.77.68)

Signature: Signed and dated twice, lower left: WINSLOW HOMER N.A. / 1876 [in black, over] HOMER 1876 [in red]

About Winslow Homer

Winslow Homer is one of the best known painters of American scenes of outdoor life. After an apprenticeship in lithography, Homer began his career as an illustrator for Harper's, drawing scenes of the Civil War battlefront. After the war, he traveled to Europe and then spent the summer of 1873 in Gloucester, Massachusetts, where he began to work in watercolor—what would eventually became his primary medium. Homer's outdoor genre scenes painted a varied picture of Americana, from scenes of wilderness guides, to rural African American life in the post-Civil War era, to children at play. In 1881, he spent almost two years on the English coast depicting simple scenes of the local communities. As his career evolved, Homer turned more and more to the sea, and a move to a secluded spot in coastal Maine prompted the eternal struggle between man and nature to become a prominent theme in his work.

American, 1836-1910, Boston, Massachusetts, based in New York and Prouts Neck, Maine

Group Shows on Artsy

Wild: Michael Nichols, Philadelphia Museum of Art, Philadelphia
Hot List, Questroyal Fine Art, New York
American Watercolor in the Age of Homer and Sargent, Philadelphia Museum of Art, Philadelphia
100 Works for 100 Years: A Centennial Celebration, Montclair Art Museum, Montclair