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Chingaza, 2012

Inkjet print on paper, clips
81 5/8 × 54 3/8 in
207.3 × 138.1 cm
Contact For Price
location
New York, London, Hong Kong, Paris
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Wolfgang Tillmans
German, b. 1968
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With titles such as Susanne, No Bra (2006) and Anders pulling splinter from his foot (2004), Wolfgang Tillmans’s oeuvre is distinguished by unabashed emotion and a tension between strangeness and familiarity. Using all the photographic technology at his disposal, Tillmans shoots portraits, still-lifes, and landscapes in which the subjects range from partially-nude friends in seemingly private moments to modest arrangements of domestic items on windowsills. Tillmans’s abstractions reveal studies in color, as seen in the magenta liquid lines of Urgency XXIV (2006).

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
Wolfgang Tillmans
German, b. 1968
Follow

With titles such as Susanne, No Bra (2006) and Anders pulling splinter from his foot (2004), Wolfgang Tillmans’s oeuvre is distinguished by unabashed emotion and a tension between strangeness and familiarity. Using all the photographic technology at his disposal, Tillmans shoots portraits, still-lifes, and landscapes in which the subjects range from partially-nude friends in seemingly private moments to modest arrangements of domestic items on windowsills. Tillmans’s abstractions reveal studies in color, as seen in the magenta liquid lines of Urgency XXIV (2006).

Chingaza, 2012

Inkjet print on paper, clips
81 5/8 × 54 3/8 in
207.3 × 138.1 cm
Contact For Price
location
New York, London, Hong Kong, Paris
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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