Wolfgang Tillmans, ‘Iguazu’, 2010, Sotheby's

Neither Appearance Nor Illusion: Property from the Collection of Santiago Barberi Gonzalez

Executed in 2010, this work is number 1 from an edition of 1, plus 1 artist's proof.

London, Tate Modern, Wolfgang Tillmans: 2017, February - June 2017 (another example exhibited)

Galerie Chantal Crousel, Paris
Acquired from the above by the previous owner

About Wolfgang Tillmans

With titles such as Susanne, No Bra (2006) and Anders pulling splinter from his foot (2004), Wolfgang Tillmans’s oeuvre is distinguished by unabashed emotion and a tension between strangeness and familiarity. Using all the photographic technology at his disposal, Tillmans shoots portraits, still-lifes, and landscapes in which the subjects range from partially-nude friends in seemingly private moments to modest arrangements of domestic items on windowsills. Tillmans’s abstractions reveal studies in color, as seen in the magenta liquid lines of Urgency XXIV (2006).

German, b. 1968, Remscheid, Germany, based in London & Berlin