Xu Zhen 徐震, ‘Play - Missile of Love’, 2013, Installation, Genuine and artificial leather, BDSM accessories, foam, metal, wood, ropes, ShanghART
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Xu Zhen 徐震

Play - Missile of Love, 2013

Genuine and artificial leather, BDSM accessories, foam, metal, wood, ropes
165 2/5 × 43 3/10 × 31 1/2 in
420 × 110 × 80 cm
Location
Shanghai, Beijing, Singapore
Want to sell a work by this artist? Consign with Artsy.
About the work
Articles
Xu Zhen 徐震
Chinese, b. 1977
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Installation, performance, and video artist Xu Zhen combines humor and irony in his works, offering critique of political and art-world systems of human exploitation. Xu’s works, made both individually and (since 2009) through his collective practice MadeIn Company, have been frequently censored due their violent or erotic themes. His 2008 installation The Starving of Sudan featured a live African toddler and a mechanical vulture, installed in a gallery space that had been converted to look like a desolate rural African landscape. Xu is hyper-aware of the contemporary art market and often critiques its norms and structure; although associated with the politically provocative artist Ai Weiwei, Xu attributes a lighter agenda to his work. His piece 8848-1.86 (2005) includes a fictional video documentation of Xu climbing to, and subsequently removing, 1.86 meters of Mt. Everest’s peak. The supposed snowy peak was showcased in a refrigerated vitrine—sincere confusion and sensation ensued, as many believed the work to be literal.

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Xu Zhen 徐震, ‘Play - Missile of Love’, 2013, Installation, Genuine and artificial leather, BDSM accessories, foam, metal, wood, ropes, ShanghART
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About the work
Articles
Xu Zhen 徐震
Chinese, b. 1977
Follow

Installation, performance, and video artist Xu Zhen combines humor and irony in his works, offering critique of political and art-world systems of human exploitation. Xu’s works, made both individually and (since 2009) through his collective practice MadeIn Company, have been frequently censored due their violent or erotic themes. His 2008 installation The Starving of Sudan featured a live African toddler and a mechanical vulture, installed in a gallery space that had been converted to look like a desolate rural African landscape. Xu is hyper-aware of the contemporary art market and often critiques its norms and structure; although associated with the politically provocative artist Ai Weiwei, Xu attributes a lighter agenda to his work. His piece 8848-1.86 (2005) includes a fictional video documentation of Xu climbing to, and subsequently removing, 1.86 meters of Mt. Everest’s peak. The supposed snowy peak was showcased in a refrigerated vitrine—sincere confusion and sensation ensued, as many believed the work to be literal.

Xu Zhen 徐震

Play - Missile of Love, 2013

Genuine and artificial leather, BDSM accessories, foam, metal, wood, ropes
165 2/5 × 43 3/10 × 31 1/2 in
420 × 110 × 80 cm
Location
Shanghai, Beijing, Singapore
Want to sell a work by this artist? Consign with Artsy.
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