Medium

Installation, performance, and video artist Xu Zhen combines humor and irony in his works, offering critique of political and art-world systems of human exploitation. Xu’s works, made both individually and (since 2009) through his collective practice MadeIn Company, have been frequently censored due their violent or erotic themes. His 2008 installation The Starving of Sudan featured a live African toddler and a mechanical vulture, installed in a gallery space that had been converted to look like a desolate rural African landscape. Xu is hyper-aware of the contemporary art market and often critiques its norms and structure; although associated with the politically provocative artist Ai Weiwei, Xu attributes a lighter agenda to his work. His piece 8848-1.86 (2005) includes a fictional video documentation of Xu climbing to, and subsequently removing, 1.86 meters of Mt. Everest’s peak. The supposed snowy peak was showcased in a refrigerated vitrine—sincere confusion and sensation ensued, as many believed the work to be literal.

Blue chip
Represented by internationally recognized galleries.
Collected by a major museum
Tate
Selected exhibitions
2019
Xu Zhen®: The GloriousPerrotin
2018
Xu Zhen: Movement FieldJames Cohan
2016
Xu ZhenJames Cohan
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flower-de-luce (Irises) of 2008 (Yuan Wei Hua), 2008

Oil on canvas
28 × 36 3/5 in
71 × 93 cm
Location
Shanghai, Beijing, Singapore
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Medium

Installation, performance, and video artist Xu Zhen combines humor and irony in his works, offering critique of political and art-world systems of human exploitation. Xu’s works, made both individually and (since 2009) through his collective practice MadeIn Company, have been frequently censored due their violent or erotic themes. His 2008 installation The Starving of Sudan featured a live African toddler and a mechanical vulture, installed in a gallery space that had been converted to look like a desolate rural African landscape. Xu is hyper-aware of the contemporary art market and often critiques its norms and structure; although associated with the politically provocative artist Ai Weiwei, Xu attributes a lighter agenda to his work. His piece 8848-1.86 (2005) includes a fictional video documentation of Xu climbing to, and subsequently removing, 1.86 meters of Mt. Everest’s peak. The supposed snowy peak was showcased in a refrigerated vitrine—sincere confusion and sensation ensued, as many believed the work to be literal.

Blue chip
Represented by internationally recognized galleries.
Collected by a major museum
Tate
Selected exhibitions (3)
Other works by Xu Zhen 徐震
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