Yang Jiechang 杨诘苍, ‘Crying Landscape: Las Vegas Casino 会叫的风景’, 2002, The Metropolitan Museum of Art

杨诘苍 会叫的风景

Image (each triptych): 9 ft. 10 1/8 in. × 16 ft. 4 7/8 in. (300 × 500 cm)

Ink Art: Past as Present in Contemporary China, The Metropolitan Museum of Art, 2013-14

Lent by a private collection, New York

About Yang Jiechang 杨诘苍

Yang Jiechang combines traditional Eastern and Western modes of representation in his multimedia work. He calls the essence of this confluence “Eurasian,” saying, “Eurasia is the land I experience everyday in my life: I am from Canton, China, my wife is from Germany, our children are Eurasian. We feel this land; this disposition and lifestyle bear a lot of possibilities and power.” His monochromatic ink paintings combine the aesthetics of contemporary painting with the tools and techniques of traditional East Asian ink-and-wash artworks. In Xuanzai Ink (1992–96), Yang created a contemplative, expressive splatter of black paint over the wrinkled, textured surface of fine xuan paper and gauze, evoking the look of abstracted calligraphy and echoing the work of mid-century painters, such as Adolph Gottlieb, as well as more recent artists like Olivier Mosset. Yang also works in video, photography, and sculpture.

Chinese, b. 1956, Foshan, China, based in Paris and Heidelberg, Germany

Exhibition Highlights On Artsy

2017
The Whip: Yang Jiechang, Chambers Fine Art, New York
2016
Yang Jiechang - On Earth as in Heaven, Jeanne Bucher Jaeger, Paris
2013
Ink Art: Past as Present in Contemporary China, The Metropolitan Museum of Art