Yang Xinguang 杨心广, ‘Above the Soil (Aquamarine Blue)’, 2019, Painting, Plants, oil paint, acrylic, wood board, PMMA, Beijing Commune
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Above the Soil (Aquamarine Blue), 2019

Plants, oil paint, acrylic, wood board, PMMA
47 1/5 × 39 2/5 × 3 9/10 in
120 × 100 × 10 cm
.
Sold
Location
Beijing, Shanghai
Medium
Yang Xinguang 杨心广
Chinese, b. 1980
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Yang Xinguang (杨心广) is more interested in exploring his materials than in making a statement, taking as his subject his own attempts to convey and create meaning rather than the result of those attempts. His works often emphasize the body’s position and phenomenological relationship to the artwork. For one group of paintings, he lashed rice paper with an ink-coated whip; the paper functioned as the receptive “yang” element, while his physical force operated as the violent “yin.” His recent work includes scratched and indented gold panels that are meant to inspire wariness toward the attainment of money and fame and illustrate how easily they can be destroyed.

Yang Xinguang 杨心广, ‘Above the Soil (Aquamarine Blue)’, 2019, Painting, Plants, oil paint, acrylic, wood board, PMMA, Beijing Commune
Save
Save
Share
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Medium
Yang Xinguang 杨心广
Chinese, b. 1980
Follow

Yang Xinguang (杨心广) is more interested in exploring his materials than in making a statement, taking as his subject his own attempts to convey and create meaning rather than the result of those attempts. His works often emphasize the body’s position and phenomenological relationship to the artwork. For one group of paintings, he lashed rice paper with an ink-coated whip; the paper functioned as the receptive “yang” element, while his physical force operated as the violent “yin.” His recent work includes scratched and indented gold panels that are meant to inspire wariness toward the attainment of money and fame and illustrate how easily they can be destroyed.

Above the Soil (Aquamarine Blue), 2019

Plants, oil paint, acrylic, wood board, PMMA
47 1/5 × 39 2/5 × 3 9/10 in
120 × 100 × 10 cm
.
Sold
Location
Beijing, Shanghai
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