Yari Ostovany, ‘Missa in Angustiis’, 2016, IdeelArt
Yari Ostovany, ‘Missa in Angustiis’, 2016, IdeelArt

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Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions.

He looks toward elements of Western and Eastern art, literature, spirituality, poetry and music to create an environment and a mindset conducive to his process, which is connected to Abstract Expressionism and Color Field painting.

The inspiration and starting point of this painting is an extract of a poem ny T.S. Eliot, "Burnt Norton":

Time present and time past
Are both perhaps present in time future
And time future contained in time past.
If all time is eternally present
All time is unredeemable.
What might have been is an abstraction
Remaining a perpetual possibility
Only in a world of speculation.
What might have been and what has been
Point to one end, which is always present.
Footfalls echo in the memory
Down the passage which we did not take
Towards the door we never opened
Into the rose-garden. My words echo
Thus, in your mind.
But to what purpose
Disturbing the dust on a bowl of rose-leaves
I do not know.

Signature: Verso

From the artist’s studio

About Yari Ostovany

Iranian, b. 1962, Iran, based in San Francisco, United States

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