Yasumasa Morimura 森村 泰昌, ‘One Hundred M's self-portraits’, 1993-2000, Photography, 100 gelatin silver prints, Luhring Augustine
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One Hundred M's self-portraits, 1993-2000

100 gelatin silver prints
13 3/4 × 11 in
34.9 × 27.9 cm
Contact For Price
Location
Chelsea, New York, Brooklyn, Tribeca, New York
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Luhring Augustine
Chelsea, New York, Brooklyn, +1 more

each paper, 13 3/4 X 11 inches (35 X 28 cm)

Presented by Luhring Augustine, New York

Medium
Image rights
© 1993-2000, Yasumasa Morimura; Courtesy of the artist and Luhring Augustine, New York.
Yasumasa Morimura 森村 泰昌
Japanese, b. 1951
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Since the early 1980s, Yasumasa Morimura has been embedding himself into iconic images appropriated from art history, mass media, and popular culture, producing photographs that simultaneously celebrate, satirize, and explore their enduring influence and the stories they convey. Humorously encapsulating his approach, he claims that by reconstructing historically resonant images, he “bring[s] them back to life as things of the present. A bit like reconstituting freeze-dried tofu and serving it up again to eat now.” Like Cindy Sherman, to whom he is compared and by whom he is influenced, Morimura uses makeup, costuming, and prosthetics to transform himself into the protagonists he portrays, while providing visual cues that hint at his masquerade. Among his best-known series is “Daughter of Art History” (begun 1985) in which he recreates canonical works by such artists as Johannes Vermeer and Frida Kahlo.

Yasumasa Morimura 森村 泰昌, ‘One Hundred M's self-portraits’, 1993-2000, Photography, 100 gelatin silver prints, Luhring Augustine
Save
Save
View
View in room
Share
Share
Luhring Augustine
Chelsea, New York, Brooklyn, +1 more

each paper, 13 3/4 X 11 inches (35 X 28 cm)

Presented by Luhring Augustine, New York

Medium
Image rights
© 1993-2000, Yasumasa Morimura; Courtesy of the artist and Luhring Augustine, New York.
Yasumasa Morimura 森村 泰昌
Japanese, b. 1951
Follow

Since the early 1980s, Yasumasa Morimura has been embedding himself into iconic images appropriated from art history, mass media, and popular culture, producing photographs that simultaneously celebrate, satirize, and explore their enduring influence and the stories they convey. Humorously encapsulating his approach, he claims that by reconstructing historically resonant images, he “bring[s] them back to life as things of the present. A bit like reconstituting freeze-dried tofu and serving it up again to eat now.” Like Cindy Sherman, to whom he is compared and by whom he is influenced, Morimura uses makeup, costuming, and prosthetics to transform himself into the protagonists he portrays, while providing visual cues that hint at his masquerade. Among his best-known series is “Daughter of Art History” (begun 1985) in which he recreates canonical works by such artists as Johannes Vermeer and Frida Kahlo.

One Hundred M's self-portraits, 1993-2000

100 gelatin silver prints
13 3/4 × 11 in
34.9 × 27.9 cm
Contact For Price
Location
Chelsea, New York, Brooklyn, Tribeca, New York
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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