Yasumasa Morimura, ‘Silvia Kristel, Emmanuelle 5’, 1995, Photography, Instant color film, unique piece - Framed, price ex vat, Alex Daniels - Reflex Amsterdam
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Yasumasa Morimura

Silvia Kristel, Emmanuelle 5, 1995

Instant color film, unique piece - Framed, price ex vat
10 2/5 × 8 1/2 × 1 1/5 in
26.5 × 21.5 × 3 cm
Contact For Price
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Want to sell a work by this artist? Consign with Artsy.
About the work
Exhibition history
Bibliography
Provenance
Medium
Signature
Signed below
Series
On Self-Portrait - Through The Looking-Glass
Yasumasa Morimura
Japanese, b. 1951
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Since the early 1980s, Yasumasa Morimura has been embedding himself into iconic images appropriated from art history, mass media, and popular culture, producing photographs that simultaneously celebrate, satirize, and explore their enduring influence and the stories they convey. Humorously encapsulating his approach, he claims that by reconstructing historically resonant images, he “bring[s] them back to life as things of the present. A bit like reconstituting freeze-dried tofu and serving it up again to eat now.” Like Cindy Sherman, to whom he is compared and by whom he is influenced, Morimura uses makeup, costuming, and prosthetics to transform himself into the protagonists he portrays, while providing visual cues that hint at his masquerade. Among his best-known series is “Daughter of Art History” (begun 1985) in which he recreates canonical works by such artists as Johannes Vermeer and Frida Kahlo.

Yasumasa Morimura, ‘Silvia Kristel, Emmanuelle 5’, 1995, Photography, Instant color film, unique piece - Framed, price ex vat, Alex Daniels - Reflex Amsterdam
Save
Save
Share
Share
About the work
Exhibition history
Bibliography
Provenance
Medium
Signature
Signed below
Series
On Self-Portrait - Through The Looking-Glass
Yasumasa Morimura
Japanese, b. 1951
Follow

Since the early 1980s, Yasumasa Morimura has been embedding himself into iconic images appropriated from art history, mass media, and popular culture, producing photographs that simultaneously celebrate, satirize, and explore their enduring influence and the stories they convey. Humorously encapsulating his approach, he claims that by reconstructing historically resonant images, he “bring[s] them back to life as things of the present. A bit like reconstituting freeze-dried tofu and serving it up again to eat now.” Like Cindy Sherman, to whom he is compared and by whom he is influenced, Morimura uses makeup, costuming, and prosthetics to transform himself into the protagonists he portrays, while providing visual cues that hint at his masquerade. Among his best-known series is “Daughter of Art History” (begun 1985) in which he recreates canonical works by such artists as Johannes Vermeer and Frida Kahlo.

Yasumasa Morimura

Silvia Kristel, Emmanuelle 5, 1995

Instant color film, unique piece - Framed, price ex vat
10 2/5 × 8 1/2 × 1 1/5 in
26.5 × 21.5 × 3 cm
Contact For Price
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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