Yayoi Kusama, ‘Fruit Basket (1)’, 1999, Print, Screenprint in colors with lame, on wove paper, Upsilon Gallery
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Yayoi Kusama

Fruit Basket (1), 1999

Screenprint in colors with lame, on wove paper
23 5/8 × 26 5/8 in
60 × 67.6 cm
Edition of 60
.
Sold
Location
New York, London, Miami
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Want to sell a work by this artist? Consign with Artsy.
Medium
Condition
Framed, excellent condition
Signature
Hand-signed by artist, Signed, titled, dated and numbered in pencil, lower margin
Certificate of authenticity
Included
Frame
Included
Yayoi Kusama
Japanese, b. 1929
Follow

Avant-garde Japanese artist Yayoi Kusama was an influential figure in the postwar New York art scene, staging provocative happenings and exhibiting works such as her “Infinity Nets,” hallucinatory paintings of loops and dots (and physical representations of the idea of infinity). Narcissus Garden, an installation of hundreds of mirrored balls, earned Kusama notoriety at the 1966 Venice Biennale, where she attempted to sell the individual spheres to passersby. Kusama counted Donald Judd and Eva Hesse among her close friends, and is often considered an influence on Andy Warhol and a precursor to Pop art. Since her return to Japan in the 1970s, Kusama's work has continued to appeal to the imagination and the senses, including dizzying walk-in installations, public sculptures, and the "Dots Obsessions" paintings.

Yayoi Kusama, ‘Fruit Basket (1)’, 1999, Print, Screenprint in colors with lame, on wove paper, Upsilon Gallery
Save
Save
View
View in room
Share
Share
Medium
Condition
Framed, excellent condition
Signature
Hand-signed by artist, Signed, titled, dated and numbered in pencil, lower margin
Certificate of authenticity
Included
Frame
Included
Yayoi Kusama
Japanese, b. 1929
Follow

Avant-garde Japanese artist Yayoi Kusama was an influential figure in the postwar New York art scene, staging provocative happenings and exhibiting works such as her “Infinity Nets,” hallucinatory paintings of loops and dots (and physical representations of the idea of infinity). Narcissus Garden, an installation of hundreds of mirrored balls, earned Kusama notoriety at the 1966 Venice Biennale, where she attempted to sell the individual spheres to passersby. Kusama counted Donald Judd and Eva Hesse among her close friends, and is often considered an influence on Andy Warhol and a precursor to Pop art. Since her return to Japan in the 1970s, Kusama's work has continued to appeal to the imagination and the senses, including dizzying walk-in installations, public sculptures, and the "Dots Obsessions" paintings.

Yayoi Kusama

Fruit Basket (1), 1999

Screenprint in colors with lame, on wove paper
23 5/8 × 26 5/8 in
60 × 67.6 cm
Edition of 60
.
Sold
Location
New York, London, Miami
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Yayoi Kusama
Other works from Upsilon Gallery
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