Yayoi Kusama, ‘Spring Mars Studay’, 1953, Phillips

Property Subject to VAT Section 4 (5%; see Conditions of Sale for further information)
Property from the Triton Collection Foundation

This work is accompanied by a registration card from the Yayoi Kusama Studio.

Signature: signed, titled and dated '"SPRING MARS STUDAY" KUSAMA 1953' on the reverse

Peter Blum Gallery, New York
Anthony Meier Fine Arts, San Francisco
Acquired from the above by the present owner in 2009

About Yayoi Kusama

Avant-garde Japanese artist Yayoi Kusama was an influential figure in the postwar New York art scene, staging provocative happenings and exhibiting works such as her “Infinity Nets”, hallucinatory paintings of loops and dots (and physical representations of the idea of infinity). Narcissus Garden, an installation of hundreds of mirrored balls, earned Kusama notoriety at the 1966 Venice Biennale, where she attempted to sell the individual spheres to passersby. Kusama counted Donald Judd and Eva Hesse among her close friends, and is often considered an influence on Andy Warhol and a precursor to Pop art. Since her return to Japan in the 1970s, Kusama's work has continued to appeal to the imagination and the senses, including dizzying walk-in installations, public sculptures, and the "Dots Obsessions" paintings.

Japanese, b. 1929, Matsumoto City, Japan, based in Tokyo, Japan