Yayoi Kusama, ‘Tulipe (I) (Kusama 290)’, 2000, Print, Screenprint in colours, Sworders
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Yayoi Kusama

Tulipe (I) (Kusama 290), 2000

Screenprint in colours
17 9/10 × 15 in
45.5 × 38 cm
Edition 7/60
.
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Sworders

Signed, titled, dated and numbered 7/60 in pencil, on wove paper, with full margins, framed

Medium
Yayoi Kusama
Japanese, b. 1929
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Avant-garde Japanese artist Yayoi Kusama was an influential figure in the postwar New York art scene, staging provocative happenings and exhibiting works such as her “Infinity Nets,” hallucinatory paintings of loops and dots (and physical representations of the idea of infinity). Narcissus Garden, an installation of hundreds of mirrored balls, earned Kusama notoriety at the 1966 Venice Biennale, where she attempted to sell the individual spheres to passersby. Kusama counted Donald Judd and Eva Hesse among her close friends, and is often considered an influence on Andy Warhol and a precursor to Pop art. Since her return to Japan in the 1970s, Kusama's work has continued to appeal to the imagination and the senses, including dizzying walk-in installations, public sculptures, and the "Dots Obsessions" paintings.

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Yayoi Kusama, ‘Tulipe (I) (Kusama 290)’, 2000, Print, Screenprint in colours, Sworders
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Save
Save
View
View in room
Share
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S
Sworders

Signed, titled, dated and numbered 7/60 in pencil, on wove paper, with full margins, framed

Medium
Yayoi Kusama
Japanese, b. 1929
Follow

Avant-garde Japanese artist Yayoi Kusama was an influential figure in the postwar New York art scene, staging provocative happenings and exhibiting works such as her “Infinity Nets,” hallucinatory paintings of loops and dots (and physical representations of the idea of infinity). Narcissus Garden, an installation of hundreds of mirrored balls, earned Kusama notoriety at the 1966 Venice Biennale, where she attempted to sell the individual spheres to passersby. Kusama counted Donald Judd and Eva Hesse among her close friends, and is often considered an influence on Andy Warhol and a precursor to Pop art. Since her return to Japan in the 1970s, Kusama's work has continued to appeal to the imagination and the senses, including dizzying walk-in installations, public sculptures, and the "Dots Obsessions" paintings.

Yayoi Kusama

Tulipe (I) (Kusama 290), 2000

Screenprint in colours
17 9/10 × 15 in
45.5 × 38 cm
Edition 7/60
.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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