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Yoshida Hiroshi

Iris Garden in Horikiri, 1928

Color Woodblock
13 3/4 × 9 3/4 in
34.9 × 24.8 cm
This is part of a limited edition set.
Sold
location
Orlando
About the work
Exhibition history
Bibliography
Provenance
Henning Fine Art
Orlando
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Available now is this incredibly rare original Hiroshi Yoshida woodblock print with self published …

Read more

Available now is this incredibly rare original Hiroshi Yoshida woodblock print with self published “Jizuri” seal entitled “Iris Garden in Horikiri”. Printed by Yoshida in 1928 this print is block signed and again romanized in the lower margin. This work is exceedingly rare and in good original condition with much of …

Read more
Signature
Block Signature & Signed in Pencil Lower Right
Series
12 Views
Publisher
Self Published with Jizuri Seal
Image rights
Henning Fine Art
Yoshida Hiroshi
Japanese, 1876–1950
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Printmaker and painter Yoshida Hiroshi was a leading figure of the Shin Hanga movement that revived traditional Japanese woodblock printing in the early 20th century. He was widely traveled and knowledgeable of Western aesthetics, yet maintained an allegiance to traditional Japanese techniques and traditions.

Around the age of twenty, Yoshida left Kurume to study with Soritsu Tamura in Kyoto, subsequently moving to Tokyo and the tutelage of Shotaro Koyama. There, Yoshida studied Western-style painting, winning many exhibition prizes and making several trips to the United States, Europe and North Africa selling his watercolors and oil paintings. In 1902, he played a leading role in the organization of the Meiji Fine Arts Society into the Pacific Painting Association. While highly successful as an oil painter and watercolor artist, Yoshida turned to printmaking upon learning of the Western world’s infatuation with ukiyo-e.

Following the Great Kanto Earthquake of 1923, Yoshida embarked on a tour of the United States and Europe, painting and selling his work. When he returned to Japan in 1925, he started his own workshop, specializing in landscapes inspired both by his native country and his travels abroad. Yoshida often worked through the entire process himself: designing the print, carving his own blocks, and printing his work. His career was temporarily interrupted by his sojourn as a war correspondent in Manchuria during the Pacific War. Although he designed his last print in 1946, Yoshida continued to paint with oils and watercolors up until his death in 1950.

navigate left
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Save
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view
View in room
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view
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About the work
Exhibition history
Bibliography
Provenance
Henning Fine Art
Orlando
Follow

Available now is this incredibly rare original Hiroshi Yoshida woodblock print with self published …

Read more

Available now is this incredibly rare original Hiroshi Yoshida woodblock print with self published “Jizuri” seal entitled “Iris Garden in Horikiri”. Printed by Yoshida in 1928 this print is block signed and again romanized in the lower margin. This work is exceedingly rare and in good original condition with much of …

Read more
Signature
Block Signature & Signed in Pencil Lower Right
Series
12 Views
Publisher
Self Published with Jizuri Seal
Image rights
Henning Fine Art
Yoshida Hiroshi
Japanese, 1876–1950
Follow

Printmaker and painter Yoshida Hiroshi was a leading figure of the Shin Hanga movement that revived traditional Japanese woodblock printing in the early 20th century. He was widely traveled and knowledgeable of Western aesthetics, yet maintained an allegiance to traditional Japanese techniques and traditions.

Around the age of twenty, Yoshida left Kurume to study with Soritsu Tamura in Kyoto, subsequently moving to Tokyo and the tutelage of Shotaro Koyama. There, Yoshida studied Western-style painting, winning many exhibition prizes and making several trips to the United States, Europe and North Africa selling his watercolors and oil paintings. In 1902, he played a leading role in the organization of the Meiji Fine Arts Society into the Pacific Painting Association. While highly successful as an oil painter and watercolor artist, Yoshida turned to printmaking upon learning of the Western world’s infatuation with ukiyo-e.

Following the Great Kanto Earthquake of 1923, Yoshida embarked on a tour of the United States and Europe, painting and selling his work. When he returned to Japan in 1925, he started his own workshop, specializing in landscapes inspired both by his native country and his travels abroad. Yoshida often worked through the entire process himself: designing the print, carving his own blocks, and printing his work. His career was temporarily interrupted by his sojourn as a war correspondent in Manchuria during the Pacific War. Although he designed his last print in 1946, Yoshida continued to paint with oils and watercolors up until his death in 1950.

Yoshida Hiroshi

Iris Garden in Horikiri, 1928

Color Woodblock
13 3/4 × 9 3/4 in
34.9 × 24.8 cm
This is part of a limited edition set.
Sold
location
Orlando
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