Yu-Cheng Chou, ‘Chemical Gilding, Keep Calm, Galvanse, Pray, Gradient, Ashes, Manifestation, Unequal, Dissatisfaction, Capitalise, Incense Burner, Survival, Agitation, Hit, Day Light. II 電鍍金,保持冷靜,鍍鋁鋅版,祈禱,漸層,灰燼,抗議,不均,不滿,資本,香爐,佼存,激動,擊,日光。二’, 2016, Edouard Malingue Gallery
Yu-Cheng Chou, ‘Chemical Gilding, Keep Calm, Galvanse, Pray, Gradient, Ashes, Manifestation, Unequal, Dissatisfaction, Capitalise, Incense Burner, Survival, Agitation, Hit, Day Light. II 電鍍金,保持冷靜,鍍鋁鋅版,祈禱,漸層,灰燼,抗議,不均,不滿,資本,香爐,佼存,激動,擊,日光。二’, 2016, Edouard Malingue Gallery
Yu-Cheng Chou, ‘Chemical Gilding, Keep Calm, Galvanse, Pray, Gradient, Ashes, Manifestation, Unequal, Dissatisfaction, Capitalise, Incense Burner, Survival, Agitation, Hit, Day Light. II 電鍍金,保持冷靜,鍍鋁鋅版,祈禱,漸層,灰燼,抗議,不均,不滿,資本,香爐,佼存,激動,擊,日光。二’, 2016, Edouard Malingue Gallery

About Yu-Cheng Chou

Modified, shifted, or transferred elements amounting to new relationships between status and object: herein lies the pulse of Chou Yu-Cheng’s practice that builds, across multiple mediums, a subtle critique of mass media, institutions and the mechanisms that produce them. A graduate from l’Ecole Nationale Supérieure des Beaux-Arts de Paris, and the research programme La Seine, Chou has gained international recognition for his dialectical interplay between the source and results of his creations. Through his selective conversations, Chou shapes a minimal yet deliberate set of intellectual and aesthetic tricks, which ultimately play on the properties of art, object and space. Running throughout Chou’s practice is the process of cooperation and display. Often borrowing objects from companies, museums or factories, Chou sets to make the mechanism of art production and organisation visible.

— Submitted by Edouard Malingue Gallery