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Yu Hong 喻红

Deng Xiaoping’s Tour in the South of China, “China Pictorial,” p. 2, no. 6, 1992, and 1992, Twenty-Six Years Old, A Still of the Film “The Days,” 2001, from Witness to Growth, 1999 – Present

Two parts, left: inkjet print; right: acrylic on canvas
66 1/10 × 78 7/10 in
168 × 200 cm
location
New York
About the work
Provenance
Guggenheim Museum
New York
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Left part: 68 x 100 cm
Right part: 100 x 100 cm

Left part: 68 x 100 cm
Right part: 100 x 100 cm

Image rights
© Yu Hong
Yu Hong 喻红
Chinese, b. 1966
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Though her work is grounded in a Socialist Realist style, Yu Hong eschews anodyne depictions of smiling, hale workers, and instead explores the complex experience of contemporary Chinese women in her lush, expressive paintings. Working with oil, pastels, and fabric dye on canvas, silk, and resin, Yu portrays an array of women—young to elderly, traditional to modern, active to contemplative, sultry to silly. She depicts them in groups or isolated against solid backgrounds, or in domestic spaces, sometimes incorporating a photograph of her painted subject into her works. In She-Retired Worker (2004), for example, Yu shows an older woman in her home with her husband and a young woman. Next to this painted scene is a photograph of the woman holding a baby girl—a poignant juxtaposition, suggestive of the shifting position of women in Chinese society across the generations.

Save
Save
view
View in room
share
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Save
Save
view
View in room
share
Share
About the work
Provenance
Guggenheim Museum
New York
Follow

Left part: 68 x 100 cm
Right part: 100 x 100 cm

Left part: 68 x 100 cm
Right part: 100 x 100 cm

Image rights
© Yu Hong
Yu Hong 喻红
Chinese, b. 1966
Follow

Though her work is grounded in a Socialist Realist style, Yu Hong eschews anodyne depictions of smiling, hale workers, and instead explores the complex experience of contemporary Chinese women in her lush, expressive paintings. Working with oil, pastels, and fabric dye on canvas, silk, and resin, Yu portrays an array of women—young to elderly, traditional to modern, active to contemplative, sultry to silly. She depicts them in groups or isolated against solid backgrounds, or in domestic spaces, sometimes incorporating a photograph of her painted subject into her works. In She-Retired Worker (2004), for example, Yu shows an older woman in her home with her husband and a young woman. Next to this painted scene is a photograph of the woman holding a baby girl—a poignant juxtaposition, suggestive of the shifting position of women in Chinese society across the generations.

Yu Hong 喻红

Deng Xiaoping’s Tour in the South of China, “China Pictorial,” p. 2, no. 6, 1992, and 1992, Twenty-Six Years Old, A Still of the Film “The Days,” 2001, from Witness to Growth, 1999 – Present

Two parts, left: inkjet print; right: acrylic on canvas
66 1/10 × 78 7/10 in
168 × 200 cm
location
New York
Other works from Art and China after 1989: Theater of the World
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