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和 | Wa, 1972

Ink on Chinese paper
26 2/5 × 24 2/5 in
67 × 62 cm
This is a unique work.
Contact For Price
location
Chuo-ku , Paris, Chuo-ku
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Read our FAQ.
About the work
Medium
Painting
Condition
Very good
Signature
Seal by artist
Certificate of authenticity
Included
Frame
Included
Yuichi Inoue (YU-ICHI)
Japanese, 1916–1985
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Yu-ichi Inoue gained an international reputation through the course of his career; in fact, Robert Motherwell called him one of the few great artists from the latter half of the 20th century—in spite of his reluctance to regularly participate in exhibitions. Inoue was considered an avant-garde calligrapher for his character-based subject matter, as well as his radicalization of traditional calligraphic techniques and styles. While his primary influences were the old masters of Japanese calligraphy, Inoue also employed action painting techniques like beating or splashing strips of paper with ink-laden brushes. He believed writing in this way could not only convey the meaning of the characters, but also a primitive impulse and an internal state of creativity.

navigate left
navigate right
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Medium
Painting
Condition
Very good
Signature
Seal by artist
Certificate of authenticity
Included
Frame
Included
Yuichi Inoue (YU-ICHI)
Japanese, 1916–1985
Follow

Yu-ichi Inoue gained an international reputation through the course of his career; in fact, Robert Motherwell called him one of the few great artists from the latter half of the 20th century—in spite of his reluctance to regularly participate in exhibitions. Inoue was considered an avant-garde calligrapher for his character-based subject matter, as well as his radicalization of traditional calligraphic techniques and styles. While his primary influences were the old masters of Japanese calligraphy, Inoue also employed action painting techniques like beating or splashing strips of paper with ink-laden brushes. He believed writing in this way could not only convey the meaning of the characters, but also a primitive impulse and an internal state of creativity.

和 | Wa, 1972

Ink on Chinese paper
26 2/5 × 24 2/5 in
67 × 62 cm
This is a unique work.
Contact For Price
location
Chuo-ku , Paris, Chuo-ku
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Read our FAQ.
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