EFA
EHC Fine Art

After Yves Klein

Rare set of works produced on the occasion of the Yves Klein exhibition in November 1991 by The Archives, Rotterdam

Contains 3 colored cards and one sponge. Stamped signature en verso.

Medium
Signature
Stamped signature, not signed
Frame
Not included
Publisher
The Archives, Rotterdam

Yves Klein is best known for his trademark ultramarine pigment, which he patented as International Klein Blue in 1961. “Blue…is beyond dimensions, whereas the other colors are not,” he said. “All colors arouse specific ideas, while blue suggests at most the sea and the sky; and they, after all, are in actual, visible nature what is most abstract.” Starting in the mid-1950s, Klein made retinal blue monochromes (which would prove cornerstones of Minimalism) and the pigment would also feature prominently in his Anthropometry paintings, for which Klein smeared nude women with blue pigment and used them as human brushes on canvas, sometimes in elaborate public performances. Klein's work anticipated Conceptual art, Performance art, and environmental art, as in his selling of portions of empty space to collectors. For The Void (1958), he presented an empty gallery as an artwork, wearing a white tie and tails to show visitors around the blank walls.

High auction record
£23.6m, Christie's, 2012
Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions
2018
WOW! The Heidi Horten CollectionLeopold Museum
Yves Klein: By the BookGagosian
2016
Los Angeles to New York: The Dwan Gallery, 1959-1971National Gallery of Art, Washington, D.C.
View all

Monochrome & Eponge, 1991

IKB Colored Sponge and Three Pieces of Cardstock Paper
2 × 2 in
5.1 × 5.1 cm
.
$2,500
Ships from Washington, DC, US
Shipping: $85 domestic, $155 rest of world
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EFA
EHC Fine Art

After Yves Klein

Rare set of works produced on the occasion of the Yves Klein exhibition in …

Medium
Signature
Stamped signature, not signed
Frame
Not included
Publisher
The Archives, Rotterdam

Yves Klein is best known for his trademark ultramarine pigment, which he patented as International Klein Blue in 1961. “Blue…is beyond dimensions, whereas the other colors are not,” he said. “All colors arouse specific ideas, while blue suggests at most the sea and the sky; and they, after all, are in actual, visible nature what is most abstract.” Starting in the mid-1950s, Klein made retinal blue monochromes (which would prove cornerstones of Minimalism) and the pigment would also feature prominently in his Anthropometry paintings, for which Klein smeared nude women with blue pigment and used them as human brushes on canvas, sometimes in elaborate public performances. Klein's work anticipated Conceptual art, Performance art, and environmental art, as in his selling of portions of empty space to collectors. For The Void (1958), he presented an empty gallery as an artwork, wearing a white tie and tails to show visitors around the blank walls.

High auction record
£23.6m, Christie's, 2012
Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions (3)
More from this series
View series
Other works by Yves Klein
Other works from EHC Fine Art