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For Elégie de Lackawanna , 1973

Original Lithograph
9 4/5 × 11 in
25 × 28 cm
This is part of a limited edition set.
Contact For Price
location
Rumson
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About the work
Bibliography
Provenance
Kings Wood Art
Rumson
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Executed by the artist for the book "Elégie de Lackawanna", poems of Yvan Goll. Ed. …

Read more

Executed by the artist for the book "Elégie de Lackawanna", poems of Yvan Goll. Ed. Librairie Saint-Germain-des-Près, Paris.

Signature
Hand-signed and numbered xx/60 in pencil
Zao Wou-Ki 趙無極
Chinese-French, 1921–2013
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A master of postwar art and the highest-selling Chinese painter of his generation, Zao Wou-ki applied Modernist art-making techniques to traditional Chinese literati painting. Zao moved to Paris in 1948, rejected his Chinese heritage, and immediately began painting in the style of Paul Klee, whose own style was influenced by Chinese landscape painting. By 1954, Zao had developed a unique style that was marked by contrasting colors and lyrical abstraction and that merged Chinese art, as viewed through the lens of European abstraction, with traditional Chinese landscapes. Zao remained wary of objectively Chinese-influenced art and avoided using ink for much of his career, preferring to work with oil paints in a calligraphic style. Like traditional Chinese landscape painting, Zao’s paintings function as fragments of a larger scene, possessing fluidity, transparency, and a graceful luminosity representative of the artist’s interior energies.

Save
Save
view
View in room
share
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Save
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view
View in room
share
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About the work
Bibliography
Provenance
Kings Wood Art
Rumson
Follow

Executed by the artist for the book "Elégie de Lackawanna", poems of Yvan Goll. Ed. …

Read more

Executed by the artist for the book "Elégie de Lackawanna", poems of Yvan Goll. Ed. Librairie Saint-Germain-des-Près, Paris.

Signature
Hand-signed and numbered xx/60 in pencil
Zao Wou-Ki 趙無極
Chinese-French, 1921–2013
Follow

A master of postwar art and the highest-selling Chinese painter of his generation, Zao Wou-ki applied Modernist art-making techniques to traditional Chinese literati painting. Zao moved to Paris in 1948, rejected his Chinese heritage, and immediately began painting in the style of Paul Klee, whose own style was influenced by Chinese landscape painting. By 1954, Zao had developed a unique style that was marked by contrasting colors and lyrical abstraction and that merged Chinese art, as viewed through the lens of European abstraction, with traditional Chinese landscapes. Zao remained wary of objectively Chinese-influenced art and avoided using ink for much of his career, preferring to work with oil paints in a calligraphic style. Like traditional Chinese landscape painting, Zao’s paintings function as fragments of a larger scene, possessing fluidity, transparency, and a graceful luminosity representative of the artist’s interior energies.

For Elégie de Lackawanna , 1973

Original Lithograph
9 4/5 × 11 in
25 × 28 cm
This is part of a limited edition set.
Contact For Price
location
Rumson
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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