Save
Save
share
Share
Save
Save
share
Share

Gravure 379 (Agerup 379), 1994

Etching and aquatint in colors on wove paper, all margins
Edition 26/99
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
Bibliography
P
PIASA

(F) : 57 x 70,5 cm, (C) : 60 x 73,8 cm

Signed, dated "94" and numbered 26/99

Buyer …

Read more

(F) : 57 x 70,5 cm, (C) : 60 x 73,8 cm

Signed, dated "94" and numbered 26/99

Buyer responsible for Buyer’s Premium and any applicable taxes, including VAT.

Zao Wou-Ki 趙無極
Chinese-French, 1921–2013
Follow

A master of postwar art and the highest-selling Chinese painter of his generation, Zao Wou-ki applied Modernist art-making techniques to traditional Chinese literati painting. Zao moved to Paris in 1948, rejected his Chinese heritage, and immediately began painting in the style of Paul Klee, whose own style was influenced by Chinese landscape painting. By 1954, Zao had developed a unique style that was marked by contrasting colors and lyrical abstraction and that merged Chinese art, as viewed through the lens of European abstraction, with traditional Chinese landscapes. Zao remained wary of objectively Chinese-influenced art and avoided using ink for much of his career, preferring to work with oil paints in a calligraphic style. Like traditional Chinese landscape painting, Zao’s paintings function as fragments of a larger scene, possessing fluidity, transparency, and a graceful luminosity representative of the artist’s interior energies.

Save
Save
share
Share
Save
Save
share
Share
About the work
Bibliography
P
PIASA

(F) : 57 x 70,5 cm, (C) : 60 x 73,8 cm

Signed, dated "94" and numbered 26/99

Buyer …

Read more

(F) : 57 x 70,5 cm, (C) : 60 x 73,8 cm

Signed, dated "94" and numbered 26/99

Buyer responsible for Buyer’s Premium and any applicable taxes, including VAT.

Zao Wou-Ki 趙無極
Chinese-French, 1921–2013
Follow

A master of postwar art and the highest-selling Chinese painter of his generation, Zao Wou-ki applied Modernist art-making techniques to traditional Chinese literati painting. Zao moved to Paris in 1948, rejected his Chinese heritage, and immediately began painting in the style of Paul Klee, whose own style was influenced by Chinese landscape painting. By 1954, Zao had developed a unique style that was marked by contrasting colors and lyrical abstraction and that merged Chinese art, as viewed through the lens of European abstraction, with traditional Chinese landscapes. Zao remained wary of objectively Chinese-influenced art and avoided using ink for much of his career, preferring to work with oil paints in a calligraphic style. Like traditional Chinese landscape painting, Zao’s paintings function as fragments of a larger scene, possessing fluidity, transparency, and a graceful luminosity representative of the artist’s interior energies.

Gravure 379 (Agerup 379), 1994

Etching and aquatint in colors on wove paper, all margins
Edition 26/99
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Zao Wou-Ki 趙無極
Related works
Most Similar