Zilia Sánchez, ‘Topología (serie Amazona)’, 1967/1993/2006, Painting, Acrylic on stretched canvas, El Museo del Barrio
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Zilia Sánchez

Topología (serie Amazona), 1967/1993/2006

Acrylic on stretched canvas
57 3/4 × 73 3/4 × 8 in
146.7 × 187.3 × 20.3 cm
Location
New York
Medium
Zilia Sánchez
Cuban, b. 1926
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Zilia Sánchez’s work is characterized by her distinctive approach to formal abstraction through the use of undulating silhouettes, muted color palettes, and a unique, sensual vocabulary. She is primarily recognized for her shaped canvases, first created in Havana in the 1950s and further developed while living in Havana, New York City, and Madrid. Sánchez’s signature style consists of stretching canvas over hand-molded wooden armatures and painting them with acrylic. Over her 65-year career, Sánchez has explored the juxtapositions between the feminine and the masculine, the painterly and the sculptural, the personal and the universal, the exterior body and the interior self. The reduced color palettes in her compositions as well as the serial processes she employs, connect her to Minimalism, though the sensuality and embrace of the curve in her work bear witness to the distinct language Sánchez has developed.

Zilia Sánchez, ‘Topología (serie Amazona)’, 1967/1993/2006, Painting, Acrylic on stretched canvas, El Museo del Barrio
Save
Save
Share
Share
Medium
Zilia Sánchez
Cuban, b. 1926
Follow

Zilia Sánchez’s work is characterized by her distinctive approach to formal abstraction through the use of undulating silhouettes, muted color palettes, and a unique, sensual vocabulary. She is primarily recognized for her shaped canvases, first created in Havana in the 1950s and further developed while living in Havana, New York City, and Madrid. Sánchez’s signature style consists of stretching canvas over hand-molded wooden armatures and painting them with acrylic. Over her 65-year career, Sánchez has explored the juxtapositions between the feminine and the masculine, the painterly and the sculptural, the personal and the universal, the exterior body and the interior self. The reduced color palettes in her compositions as well as the serial processes she employs, connect her to Minimalism, though the sensuality and embrace of the curve in her work bear witness to the distinct language Sánchez has developed.

Zilia Sánchez

Topología (serie Amazona), 1967/1993/2006

Acrylic on stretched canvas
57 3/4 × 73 3/4 × 8 in
146.7 × 187.3 × 20.3 cm
Location
New York
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