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If we pride ourselves as guardians of a historical art collection, we must contend with the very history of how our museum came to be. Avery Brundage, whose collection forms the nucleus of this institution, espoused racist and anti-Semitic views. We have removed his name from museum initiatives but have yet to address this history in a fully open and transparent way. Only by publicly condemning Brundage’s racism and examining the foundation of our museum can we become an even greater source of healing and connection.