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The exhibition consists of 4 key works: two new glassworks—a material Janssens has vigorously investigated for its multitudinous optical and physical qualities. “Observing the world, and in the process of not quite recognizing it,” as Anders Kold writes “is a key aspect of Ann Veronica Janssen’s art – a premise of the artist’s practice and methodology, and a condition…for experiencing her work.” Frisson Rose, for example, reorders our experience of it, taking itself outside of its objecthood and foregrounding our experience. Frisson, the French word for thrill or excitement, can also refer to …