About

In the spirit of avant-garde artists who have continuously reinvented exhibition protocols, Rafael Domenech develops architectural intervention systems combined with editorial gestures—cutting, writing, revising, and disseminating—turning the exhibition into an open organism, a machine for production and circulation.
For his first solo exhibition in Paris, Rafael Domenech reinvents the space of 193 Gallery by structuring the venue with wooden partitions, reminiscent of folding screens, an iconic object in art history. Like suspended and floating canvases, this architectural setup asserts …