We will meet in the place where there is no darkness

Constructed as a pavilion within the Bargehouse, Kite’s work references back to an Orwellian interrogation room, using light as a material to create an ever-evolving space. Formed from a series of half-toned panels that suggest static or white noise, the space is further cut through the horizontal with a two-way mirror that references the voyeurism, narcissism and sublimity at the heart of the interrogation process. Spatialised sound further reinforces the dynamic, while also dividing the space into four distinct areas. Introduced into this space, a dancer acts as a protagonist, redefining the relationship between the architecture, the audio-visual score and composition.

Performed by Susie Browning.

Supported by South Kiosk, Kitmapper and Toogood