Out of Character: Decoding Chinese Calligraphy
Master Cheng’s Admonition on Seeing, Hearing, Words, and Deeds (Chengzi shi ting yan dong zhi zhen), 1805
Completed on a River Sojourn, 1645
The Sūtra on the Lotus of the Sublime Dharma (Miaofa lianhua jing), late 13th or early 14th century
Thousand-Character Classic, 16th century
Autumn Stirrings in Eight Verses, 1632
Master Cheng’s Admonition on Seeing, Hearing, Words, and Deeds (Chengzi shi ting yan dong zhi zhen), 1805
Poetic lines, late 16th or early 17th century
Calligraphy in “lacquer script” , 1749
Inscription on Shifan (Shifan ming), 19th century
Inscription on Shifan (Shifan ming), 19th century
Master Cheng’s Admonition on Seeing, Hearing, Words, and Deeds (Chengzi shi ting yan dong zhi zhen), 1805
Master Cheng’s Admonition on Seeing, Hearing, Words, and Deeds (Chengzi shi ting yan dong zhi zhen), 1805
The Sūtra on the Lotus of the Sublime Dharma (Miaofa lianhua jing), late 13th or early 14th century
Inscription on Shifan (Shifan ming)
Inscription on Shifan (Shifan ming), 19th century
