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One may wonder how to register the physical world and the laws that govern it through contemplation and attentiveness. Moreover, one may seek the experience of the otherness existing in our world that can turn into a compelling, persuasive and profound event. These reflections can be seen as attempts to explore our own nature in relation to other autonomous non-human entities, and they can become powerful drives for artistic expression.

Sigurður Guðjónsson appears to be asking these kinds of questions when he undertakes experiments in which he sculpts visions of hidden landscapes of matter. …