Since early on in his career Angel Otero has aligned his practice to the oldest and most revered painting tradition, which he endeavors to constantly reinvent it. Thus, Otero not only retains a commitment to making paintings and sculptures, but at key points in his career he has u
Bronx, New York—August 9, 2017—The Bronx Museum of the Arts is proud to present an exhibition focusing on a series of new paintings by Angel Otero. On view at the Bronx Museum from October 25, 2017 through April 29, 2018, this exhibition will highlight Otero’s commitment to making paintings and sculptures that mine and celebrate key examples of the art of the past. Angel Otero: Elegies is organized by guest curator Christian Viveros-Fauné.
Since early on in his career Angel Otero has aligned his practice to the oldest and most revered painting tradition, which he endeavors to constantly reinvent it. Thus, Otero not only retains a commitment to making paintings and sculptures, but at key points in his career he has underscored that dedication with a personal mission to revisit key examples of the art of the past. Using a disciplined, thoroughgoing, empirical studio process, Otero has established a compositional method that brings together and pulls apart disparate artistic influences to develop his own unique visual language.
For Angel Otero: Elegies—featuring works made exclusively for exhibition at the Bronx Museum—guest curator Viveros-Fauné invites us to consider Otero’s own evolving process of formal innovation in relation to that of the artist Robert Motherwell. A leading Abstract Expressionist and the author of over one hundred paintings that he titled Elegy to the Spanish Republic (completed between 1948 and 1967), Motherwell created his mostly monochrome canvases as a “lamentation or funeral song” on the subject of the Spanish Civil War. Invariably, these works have also served as illustrations of the power of abstract art to take on both urgent themes and modernity’s constant need for artistic innovation.
“Every intelligent painter carries the whole culture of modern painting in his head,” Motherwell once said. “It is the real subject, of which everything he paints is both an homage and a critique, and everything he says is a gloss.” The work Angel Otero has produced for the Bronx Museum are not elegies in the typical sense—i.e., paintings devoted to the idea of loss or deterioration. Instead, these works are celebrations of twenty-first century painterly innovation and of the resilience of art during times of change.