About

In A Thousand Plateau’s Deleuze and Guattari use the term ‘plane of immanence’ to signal a turn away from notions of transcendence, pre-existing forms and original genesis.

In her new body of work Sayal-Bennett’s presents drawings, sculptures, and one projection, the latter two can be understood as drawings in an expanded sense. Manifesting as a series of invitations, Sayal-Bennett is concerned with what the viewer ‘does’ or ‘makes’ with the drawings. As their significance is nothing more than their connection, they have no discrete or closed identity. Associations, memories and specific …