The CCA presents “Nesting,” a solo exhibition by Gaston Zvi Ickowicz that explores construction processes and nesting and raises questions as to their affinity with the establishment of nationality, tradition, and cultural identity.
At the center of the exhibition is the five-channel HD video installation, The City of Rawabi (2016). Each of the five screens depicts a single stonemason as he chisels the local stones used to clad the buildings of the first modern Palestinian city in the West Bank with a “traditional” facade.
The Planting (2013-2016) photo series was taken during mass planting events organized in Israel by the Jewish National Fund. Images of planted tree saplings signify a moment of inception or promise, yet also represent events whose ideological meaning unmistakably points to claiming ownership of the land by and for Jews.
For the Embroidery Patterns (2016) series Ickowicz scanned and enlarged patterns from the book Jerusalem in Needlepoint and Embroidery by Ann Roth (published in Hebrew in 1972 and in English in 1973). The book of embroidery patterns of historical and holy sites of Jerusalem was handed out as a gift to employees Maskit, a prominent Israeli fashion house. Ickowicz’s appropriation not only exposes the ideological use of these patterns, which is not surprising considering the Zionist narrative of the time, but it also points to the images as part of production, reproduction, and craftwork processes, and consequently asks not just what the meaning of the image is, but also what does it do or how does it act. Here, photography no longer functions as representation, but rather as a practice.
The Chronicle of Change (2016) photo series is the outcome of the artist’s prolonged research of philatelists and collectors of Palestinian postage stamps. It comprises images from four series of stamps that contain traces of processes of appropriation, erasure, and assimilation that make evident the ways by which images take part in the struggle for building a national homeland, and the symbolic significance they gain in the process of establishing sovereignty and gaining independence.
Chronicle of Change conceptually stamps the exhibition, which presents a shift from the notion of photography as representation to one of photography as action – an action through which an image turns into a material object that, disseminated in public, gains new meaning and usage every time it is relayed to new viewers. The exhibition invites us to follow the direct connection it draws between nesting and individual or national processes of establishment, building, and development.
About the artist
Gaston Zvi Ickowicz (1974, Buenos Aires, immigrated to Israel in 1980) is a Visual Artist working with Video and Photography. His works center on the interaction between people and landscape in a socio-political context.
Ickowicz graduated with honors Photography Studies at Musrara School of Photography (2000), and Advanced Studies in Art and Photography in the Bezalel Academy of Art and Design (2009).
He has had solo and group shows in Hezi Cohen Gallery, Tel Aviv (2015); Tel Aviv Museum of Art (2011); the MACRO, Rome (2013); the Israel Museum, Jerusalem (2013); chelouche Gallery (2010); and more.
Ickowicz has received numerous awards and prizes, including the Gerard Levi Young Photographer's Prize from the Israel Museum (2008) and the Young Artist Award from the Israeli Ministry of Culture (2010).
The launch of the exhibition catalogue, with articles by Sergio Edelsztein and Gilad Reich, will take place on September 1st at 7pm.
The exhibition will close October 15th, 2016
The exhibition was made possible through the support of the Tel Aviv–Yafo municipality – Visual Arts Department; Yehoshua Rabinovich Foundation for the Arts; and the Philip and Muriel Berman Foundation, USA.