« Swiz raises structures, which intricacy, sometimes barely suggested, prompts our senses. Perception is steered by chromatic compositions created without an inch being left to chance. » …
« Color is the founding dimension of the artwork. It presents itself in a plurality of matching hues, following a score just as wellplanned. Games on transparencies create an harmony which can only be born from these relationships: they can be complementary, blending in, contrasted. Whichever they are, the legitimacy of the coordinations reflects the acute and sophisticated eye of the artist.
The framework keeps evolving. It comes to shape, comes to life, is even unbuilt sometimes, to draw up a new plan, whereas the course remains unchanged. It is a matter of putting together “the” combination, the one that will reveal, beyond the shapes and letters, the subliminal feeling of equilibrium and true accuracy. » .. . « A hybrid language, as if to deliver intimacy with decency, to delicately relay what is essential and hidden behind the structure.
The emotions lie beneath. They condition the production, define its essence and exacerbate its impact. Anchoring the sensitive totally fits the territory concept and comes out in his urban in-situ practice. Places sanctuarized by oblivion, that he occupies for their emotional charge, the soul of a long-gone past, of an outdated swarm, which indelible energy becomes creative. This aesthetics of disrepair can be tamed into an inspiring potentiality, which becomes the stage of multi-material and colourful staging.
The wood assemblies find in it a relevant resonance to found structures in adequacy with their in-situ use, which he takes time to model, away from the indiscrete eyes. »
Text from Caroline Ruggeri / Urbanity