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As Dzama notes, “The exhibition, Child of Midnight, plays with the theme of an apocalypse of climate change. That we are counting down the time on The Doomsday Clock, at this hour of midnight, with very little time for our children to prevent certain doom. There is also a little travel escapism in there, although the flood has started. There are also references to alchemy … and the writings of [William] Blake and Dante. And the game of chess we are playing with Mother Nature.”

This is the artist’s twelfth solo exhibition at David Zwirner since joining the gallery in 1998, and his third at the …