FEBRUARY 24 - APRIL 7, 2018
RECEPTION: SATURDAY, FEBRUARY 24, 2018 6-8 PM
(Los Angeles, CA) - DENK gallery is pleased to present SHOP; it's first solo exhibition of new works by gallery artist Pontus Willfors. The artist's detailed sculptural pieces are executed in hardwood and aluminum, often interchanging one material for the other in surprising ways and challenging the expectations we unwittingly impose upon ordinary materials and commonplace objects. By re-sensitizing the nature of our physical encounters with these recognizable forms in unfamiliar guises, the prosaic implements of the domestic and mundane are given new meaning through process and transformation.
In SHOP, Willfors recreates vehicles and objects related to the theme of transportation to re-envision their context and divest them of their implicit utility. By transforming a mass manufactured life-sized car into a hand-carved silhouette of Poplar, for instance, or an unassuming bicycle into a sculpture of White Oak, Willfors' conversions reimagine the generic vestiges of everyday use as unique sculptural effigies.
Though conceptually driven, Willfors' work is heavily process-oriented and informed by a deliberate reliance on craft. Fascinated by the limitations of material and process, his willingness to experiment methodologically and his preference for difficult and resistant transformations, yield unexpected results. SHOP taps into the contingent trial and error inherent in any material, studio-based practice, but specifically reflects the artist's revisitation of his childhood fascination with wood carving. Willfors' penchant for the painstaking fabrication of likeness is offered as a self-conscious gesture through which the known is subtly transformed into the neoteric.
The artist's preference for slow, meticulous, subtractive handmade processes is in direct opposition to the aesthetics of machine making he reinterprets in the show. Having to reproduce the surfaces of a manufactured car by hand and from scratch in wood, a material fundamentally resistant to the conversion, challenges the limitations of the artist's tools, warranting an inventive reinterpretation of the object's physical and formal constitution. It is within these interstitial spaces of production, physical problem resolution, and reconstitution that Willfors' ingenious craft thrives.
SHOP presents a unique collection of denatured objects, large, life-sized facsimiles expertly crafted by Willfors. Here, a car is evacuated of its utility and associations of aspirational consumerism and presented simply as a handmade sculpture bordering on the nostalgic. Just as the workshop is understood as a space of assembly and process, so too is the exhibition the product of an analogous material adaptation; the physical objects of the 'shop' are superimposed onto the cultural sphere and re-read in the context of their subtle reinventions.