The idea of this project revolves around presenting the lost spatial status of the recipient and the spectator in order to connect it with sentiments. Through same theme and technique. Twenty paintings came like storyboard of life reflection.
Memory has always been in need for of two main dimensions to be complete. In its structural concept, memory focuses on time and space as two essential factors to crystallize its physical presence, and ; therefore, constitutes a different dimension and space, therefore, than for for the novel’s continuity of the novel . The dilemma that we face while constructing the artwork, and attempting to achieve the maturity of the idea, has always pushed us towards searching for the details of the space;, this is when we start begin to feeling overwhelmed in the search for a forcibly absent space from the narrative. This in return has significantly impacted on the structure of the artwork;, when you own the time factor, which loses its materialistic reflection through the space, you find yourself forced to search through the layers of collective memory. The idea of this project revolves around presenting the lost spatial status of the recipient and the spectator in order to connect it with sentiments. The congestion and frequency of events, in addition to the growing alienation, have urged us to fabricate the components of the absent space with all its elements of life and aestheticism through the documented narrative. Sentiment and collective memory are two irunreplaceable elements in the context of continuity.