Camporeale, Buenos Aires 1937, Argentine visual artist with a long and important international career, graduated from the National School of Fine Arts Priliano Pueyrredón in 1961; he has had solo and group exhibitions in Buenos Aires, Paris, Tokyo, Lisbon, New York, Singapore, Miami, Panama, Lima and Bergamo.
In 1976 and for two decades settled in Paris.
In 1998 he exhibited at the Museo Nacional de Bellas Artes in Buenos Aires and the Museum of Contemporary Art of Panama. His works are in museum collections in Switzerland, France, United States, Venezuela, Colombia, Argentina and Peru.
The exhibition presented at Gallery Link, consists of a very original and striking set of 22 small format works on MDF, worked in acrylic and mixed media, grouped by thematic similarities, a technical refinement and material eloquent and full of irony and mood . There are also in the exhibition a group of paintings on canvas of larger formats. Is a satirical vision, sarcastic condition of the human, urban being especially configured on the world and their relationships, and showing and maybe try to explain it admonished the viewer to interact and dialogue through its language and images, its visual, pictorial. interpretation "Each painting is a riddle without a solution, that's where I seek the complicity of the viewer to create another reality, to unravel what is happening in the work with their disjointed scenes and delirious characters, and turn this into poetry." He said Sergio Camporeale.
"Sergio Camporeale has managed to gradually create a world, a great theater or circus where throw a variety number of actors and characters, referenced in a variety of scenarios show or refer to their conditions, purposes and wills of men, articulated the astonishment the impassive, curious what the grotesque and even deformed and monstrous; masks that hide, but let emerge the deep impulses and passions, surely the real motivations in the Nietzschean sense where appearance equals reality. Nietzsche rejects the truth of reality in the name of truth of appearance. The sharp change made between real and appearance in the sphere of thru, order that the will which as the ontological void left by being, or rather the lack of it, becoming the will, delirious and egocentric often itself that determines the criterion of truth and values. "Roberto Ascóniga Curator