In his recent practice, Phillip Zach employs serial objects, recurrently presented as installations, which engage in acrobatic rehearsals of permutations to establish an inner logic. Presenting themselves as hybrids of concrete, material forms and abstracted models, the works gesture towards larger bodies of thought.
Zach’s latest series consists of wall–based white steel structures, cut into discrete forms, and inhabited by blobs of sand and soil. Varying in color, size, and shape, these globular shapes permeate the perforated substrate, meandering freely around the physical perimeters of …