FOR IMMEDIATE RELEASE:
Holding Out For a Hero
Opening Reception: Thurs., November 29th, 7-9:30pm
Freight+Volume is excited to announce Holding Out For A Hero, an exhibition of paintings by Paul Gagner. The artist’s signature
amalgam of satire, whimsical expressionism, and starkly honest realism takes center stage, unfurling across canvases depicting
fractured bodies and faces, recontextualized art historical signifiers, and oversized sandwiches, along with covers for books by Dr.
Howard Moseley, a recurring fictional persona adopted by the artist. Modeled after the books of so-called “self-help gurus”, Gagner
uses the painted covers as a vehicle to explore his own doubts and anxieties, particularly regarding creativity and the artistic ego.
Shifting perspectives and aberrations in reality underpin much of the work, and allow the viewer to enter into the artist’s own cycles of
self doubt and creation.
Gagner’s portrayals of the human form are rather incongruous in Holding Out For A Hero, oscillating from hyper-specific observation
to freewheeling, surreal variations of scale. In Hairscaping and Barbarian and his Barber, his fixation on and isolation of hair’s
physicality recalls the work of artists confronting the abject (such as Kiki Smith and Mary Kelly); however, the sheer absurdity of the
mountain landscape shaved into the back of the subject’s head in Hairscaping suggests a more whimsical, playful direction to Gagner’s
interrogation of the physical. Entangled contrasts of cathartic, tender activities with sexual, fetishistic undertones complicate and
charge his representations of the body with an uncertain energy, as do his freewheeling variations of scale and proportion. Gagner
employs these devices to striking ends in Palm Reader, wherein tiny female hands probe the palm of a massive, statuesque hand.
The bandaged fingertips and blue thumb of the hand suggest injury and distress, magnified to an almost Christ-like manifestation of
Several works on display depict oversized sandwiches juxtaposed with the spines of volumes by Picasso, Camus, and Baldessari,
among others. Characteristically contradictory, these paintings at once appear to offer a nihilistic statement on the futility of Culture,
yet their execution suggests a different, less binary meaning. Gagner’s thick, corporeal brushwork and impasto technique transforms
the bread and filling into rock-like slabs, and in Cheap Studio, he renders the raw materials of his creative process in a similarly
concrete, radically painterly style, including even the leaking plumbing above his easel.
Though they are thoroughly integrated into his practice, the Howard Moseley book covers appear as a distinct body of work. Their
dimensions are much smaller than Gagner’s other canvases, and their tone is dark and bleak, bereft of the glimmers of exuberance that
populate the other works on display. Coping With Death conflates career stagnation with actual death, and depicts an artist painting
a self portrait as a crying clown. Secret Societies and Insult Your Opponents cast the art world as a place of paranoia, treachery, and
inequality; the latter takes aim squarely at critics, with the refrain Your Paint Handling Activates My Conceptual Gag Reflex highlighting
the harsh yet capricious language that can validate or delegitimize an artist’s commercial career.
Paul Gagner is painter and sculptor living Brooklyn, NY. He holds a B.F.A from the School of Visual Arts as well as an M.F.A. from the City
University of New York at Brooklyn College. Paul’s work has been exhibited nationally and internationally, including Katharine Mulherin
in Toronto, The Community in Paris, Hashimoto Contemporary in San Francisco, Halsey McKay gallery in East Hampton, Allen &
Eldridge in New York City, and the Sheila & Richard Riggs Leidy Galleries at the Maryland Institute College of Art in Baltimore. He’s been
featured in the art blog Hyperallergic and Art21 magazine. Most recently, he was featured on the cover and in an interview for the print
magazine, Art Maze Magazine.
A full-color limited edition artist book, will accompany the exhibition.
Gallery hours: Wed-Sun, 11am - 6pm or by appt.