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Alexander Rohrig

Gail Severn Gallery
Aug 28th – Sep 29th 2017
Ketchum, 400 First Avenue NorthMap
, 'Cypresses at Dusk,' , Gail Severn Gallery

Alexander Rohrig

Cypresses at Dusk

Gail Severn Gallery

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, 'Night Drawing 1,' , Gail Severn Gallery

Alexander Rohrig

Night Drawing 1

Gail Severn Gallery

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, 'Hummingbirds at the Feeder,' , Gail Severn Gallery

Alexander Rohrig

Hummingbirds at the Feeder

Gail Severn Gallery

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, 'Grey Foxes Eating Birdseed (at night),' , Gail Severn Gallery

Alexander Rohrig

Grey Foxes Eating Birdseed (at night)

Gail Severn Gallery

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, 'Window Sill,' , Gail Severn Gallery

Alexander Rohrig

Window Sill

Gail Severn Gallery

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, 'Night Drawing 2,' , Gail Severn Gallery

Alexander Rohrig

Night Drawing 2

Gail Severn Gallery

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, 'House at Night,' , Gail Severn Gallery

Alexander Rohrig

House at Night

Gail Severn Gallery

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, 'Light Between Two Branches,' , Gail Severn Gallery

Alexander Rohrig

Light Between Two Branches

Gail Severn Gallery

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, 'Night Studio,' , Gail Severn Gallery

Alexander Rohrig

Night Studio

Gail Severn Gallery

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, 'Morning Light (Studio and Hills),' , Gail Severn Gallery

Alexander Rohrig

Morning Light (Studio and Hills)

Gail Severn Gallery

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, 'Shepherd II,' , Gail Severn Gallery

Alexander Rohrig

Shepherd II

Gail Severn Gallery

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Press Release

“This group of work stems from the memory or a feeling that something gives me rather than its detailed portrait. A glance from the corner of your eye repeated over time, a gesture, a personality, a relationship can often reveal a truer likeness than a photograph. You have to be paying close attention, sifting out nonessential details in order to arrive somewhere both simple and true. I’m finding the more ordinary something seems, often that is when it can also become most interesting to me. I tend to enjoy humor in art. It welcomes a viewer in to take a closer look without being off-putting. The playful aspect of these sculptures seems native to me and are the type of work I most enjoy making and looking at. It also allows me access to play around with the formal aspects of sculpture without making purely formal work. For instance, I love Richard Tuttle’s work, but I can’t make his kind of work. Figuration, at least at this stage, is important to me although it’s often arrived at through abstract means.”
Alexander Rohrig

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Alexander Rohrig
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