My goal is to make beauty. The impetus to make paintings is motivated in part by my desire to the express the inexpressible: the inescapable dualities of existence.
I use botanicals as archetypes in my work. I was aware of the suggestiveness of, and psychological meaning attached to some flowers. They are ambiguous, mysterious, a way to get to the paint. and in large scale represent heads, beats, landscape. I use these objects as subject matter, in silhouette. I also refer to my imagery as ‘girlie’ as the motifs and even mere suggestions of flowers and hearts are usually associated with being female, and feminine. My work addresses issues of power, solipsism, hierarchies by presenting imaginary orders, arrangements that would not occur in the natural world; I am working in response to and partly inspired by both external and internal chaos. I have turned them- flowers, seed pods, skeletons of pine cones, thistles into icons. The motifs are beards; their arrangement a poetic depiction of the internal self.