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HORIZONS straddles a territory between the two bodies of work, separated by almost three decades and which once again renew and update the genre. Lorenzato (1900-1995) represented the everyday reality of his home state of Minas Gerais, using essential colors and often employing a metal comb to spread the paint, a technique inherited from his trade as a painter decorator, exercised until 1956. Bruno Faria (1981), meanwhile, distances himself from the traditional language of painting to approach the conceptual. In the series, Lembranças de Paisagem (Memories of Landscape), the artist roams …