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The strong influence of Rio de Janeiro's carnival samba school allegories, the Northeastern landscape, the hybridism of diverse matrixes, and sustainability permeate the works of Zé Carlos Garcia, who worked as a sculptor for sixteen years in the carnival universe alongside personalities such as Joãosinho 30.

The exhibition Blind Sculpture, on show at Galeria Marilia Razuk - which last year completed 30 years in the market - from March 18, presents the artist's unpublished work, with wood from urban pruning, fragments of old furniture and forest management, and materials such as …