The disks are artist’s conceptual response to the beautiful Suizenji Jojuen Garden, built by the feudal lord Hosokawa in the 17th century, landscaped in a circular pattern for strolling around a miniature Mt. Fuji. In Griffith’s "garden," with three pools, the articulation of the discrete elements within the field and the sense of the field as a whole emerge only by walking and looking, the same principles of time, space and motion in effect at Suizenji. Groeniger's work reflecting in.