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New personal mythologies
The dialogue between Romain Mader pictures and Karine Hoffman paintings opens perspectives about the artist relationship to its own history. The booth display creates a dialogue with rhizomic narratives, considering the works as documents, as truth of a possible story at the margin.
Mader considers fiction and the mise-en-scène of himself through cultural and political issues: sex tourism and male domination. The representation of his identity, in unprecedented situations mobilizing self-deprecation and a lack of distancing in relation to the image itself, provokes the …