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Galerie Nothelfer is delighted to be showing seven different positions on the subject of ink drawings. Both historical positions from the post-war period and contemporary artists will offer an insight into the medium.
When - as in the INK exhibition - the material becomes the curatorial bracket, there is a justified expectation that this material itself has something special to tell, that it can become the carrier of discourses that unite both historical and processual aspects, without this necessarily leading to an antagonistic clash of form, material and content.
INK, whereby there is often a …