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For her third exhibition at Galerie Greta Meert, German artist Valerie Krause devised an ensemble of sculptural and
photographic elements occupying the second floor of the gallery. Defined in terms of volumes, areas, and locations these works play out a constant back and forth between absence and presence. Like the white spot on a map indicating a lack of knowledge, or the bias blind spot in psychology referring to one’s inability to account for their biased judgment, these works are equally defined by the physical space they occupy as by the blank spots and necessary absences of material that …