Stark’s thirteen new alcove paintings invite us into an illusory medieval world of bee-craft, populated by artisans, monks, witches and fools. Laden with symbolic and mythological allusions these works draw heavily on the dreamlike and archetypal, where Stark deploys universal motifs in combinations that are unique only to him. Subtle anachronisms including beach balls, wrist watches and tattoos destabilise our notions of time, suggesting a decoupling from standard notions of past, present and future. The formal trope of the alcove is employed throughout this series with great variety. Emblazoned with symbols or inscriptions, their negative spaces suggest excavated tombstones whilst serving as portals or internal ledges. Heraldic symbols, icons, relics, figures or landscape might be depicted within this pictorial space, placing the viewer between interior and exterior, and also emphasising a heightened voyeuristic element within the work.
Stark can look back on various exhitions in institutions and galleries in Europe and United States. His work is presented in private and public collections in Australia, Finland, France, Germany, Ireland, Italy, Netherlands, Switzerland, United Kingdom & United States. These include p.e. the collection Javier Baz, Denver, Colorado; The Mark Clannachan Collection, Linchmere, UK; the collection Julian & Stephanie Grose, Adelaide, Australia; the two collections of the London based collectors David Roberts and Anthony Salz as well as the Soho House Collection, London and The SØR Rusche Collection, Oelde / Berlin.