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Galerie Judith Andreae
Paper Positions Basel 2018

At the Paper Positions Basel we present recent works by the young artist Viktoria Strecker. Her drawings and installations are reminiscent of biological systems, which are built up from repetition and often are both macroscopically and microscopically readable.
Galerie Judith Andreae
Paper Positions Basel 2018
Jun 12th – 17th 2018
Booth 2
, 'Icon (UR2),' 2015, Galerie Judith Andreae

Viktoria Strecker

Icon (UR2), 2015

Galerie Judith Andreae

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, 'Ripple Pile,' 2015, Galerie Judith Andreae

Viktoria Strecker

Ripple Pile, 2015

Galerie Judith Andreae

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, 'Mainlands,' 2014, Galerie Judith Andreae

Viktoria Strecker

Mainlands, 2014

Galerie Judith Andreae

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, 'Hemisphären,' 2013, Galerie Judith Andreae

Viktoria Strecker

Hemisphären, 2013

Galerie Judith Andreae

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, 'Amboss,' 2012, Galerie Judith Andreae

Viktoria Strecker

Amboss, 2012

Galerie Judith Andreae

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, 'Amboss 2,' 2015, Galerie Judith Andreae

Viktoria Strecker

Amboss 2, 2015

Galerie Judith Andreae

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, 'Mainlands,' 2014, Galerie Judith Andreae

Viktoria Strecker

Mainlands, 2014

Galerie Judith Andreae

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, 'Mainlands,' 2014, Galerie Judith Andreae

Viktoria Strecker

Mainlands, 2014

Galerie Judith Andreae

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, 'Mem,' 2018, Galerie Judith Andreae

Viktoria Strecker

Mem, 2018

Galerie Judith Andreae

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, 'Analogien,' ca. 2015, Galerie Judith Andreae

Viktoria Strecker

Analogien, ca. 2015

Galerie Judith Andreae

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, 'Icon (UR1),' 2015, Galerie Judith Andreae

Viktoria Strecker

Icon (UR1), 2015

Galerie Judith Andreae

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, 'Aufriss,' 2018, Galerie Judith Andreae

Viktoria Strecker

Aufriss, 2018

Galerie Judith Andreae

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, 'Mainlands,' 2014, Galerie Judith Andreae

Viktoria Strecker

Mainlands, 2014

Galerie Judith Andreae

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, 'Mainlands,' 2014, Galerie Judith Andreae

Viktoria Strecker

Mainlands, 2014

Galerie Judith Andreae

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, '3 Etüden für die Linke,' 2014, Galerie Judith Andreae

Viktoria Strecker

3 Etüden für die Linke, 2014

Galerie Judith Andreae

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Press Release

Viktoria Strecker (born in Hanover in 1987), a student of Marcel Odenbach at the
Düsseldorf Art Academy, deals with filigree work processes with various forms of
expression of a timeless and universally valid original structure.
Her drawings, as well as their translations into objects and installations, are
reminiscent of biological systems, which are built up from repetition and often are both
macroscopically and microscopically readable.
Strecker started at the Academy of Fine Arts as a painter, but it quickly became
apparent that the question of formality and structure was more important to her than
color. "The drawing continuously accompanies Streckers work and forms the starting
point of all groups of works, however different they are in technology and material.
Compared to painting, drawing is more original for Strecker, more direct, more
definitive. Once set, it can no longer be removed or covered up. [...] The motor of
innovation in Viktoria Strecker is a peculiar combination of mania and method, of
intuition and systematics in the technical field, of surprising choice of materials and of
responding to situational conditions. "(Quotation Manuel Ströhlin)
Her drawings on paper with pen, fineliner and graphite show a depth that intervene in
the three-dimensional space.
At the Paper Positions Basel we present recent works by the young artist, who has
already been able to look back on numerous scholarships, prizes and exhibitions (for
example Museum Kunstpalast Düsseldorf, 2018).

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Viktoria Strecker
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